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City planning. --- Urbanisme --- Le Corbusier --- 72.01 --- 711.4 --- architectuur --- twintigste eeuw --- stedenbouw --- Architectuur (theorie) --- Architectuurtheorie --- Stedenbouw (theorie)
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Over the past two decades, James Corner has reinvented the field of landscape architecture. His highly influential writings of the 1990s--included in our bestselling Recovering Landscape--together with a post-millennial series of built projects, such as New York's celebrated High Line, prove that the best way to address the problems facing our cities is to embrace their industrial past. Collecting Corner's written scholarship from the early 1990s through 2010, The Landscape Imagination addresses critical issues in landscape architecture and reflects on how his writings have informed the built work of his thriving New York-based practice, Field Operations.
Landscape architecture. --- Architecture du paysage --- Landschapsarchitectuur ; 20ste eeuw --- Landschapsarchitectuur ; 21ste eeuw --- Corner, James --- 712 --- 711.4 --- Horticultural service industry --- Landscape gardening --- Landscaping industry --- Landschapsarchitectuur --- Stedenbouw (theorie) --- Landscape architecture
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"Infrastructure is not only the underground pipes and wires that control our cities but also the hidden rules for structuring the spaces all around us--free trade zones, smart cities, suburbs and malls. Extrastatecraft charts the rise of the hidden rules that control this "infrastructure space," and shows how it is creating new forms of power, beyond the reach of government. In a series of fascinating case studies, Easterling visits fields of infrastructure with the greatest impact on our world-- tracking everything from standards for the thinness of credit cards, to the urbanism of mobile telephony as the world's largest shared platform, to the rules for the free zone as the most contagious new world city paradigm. In conclusion, she proposes some unexpected techniques for resisting power in a contemporary world"--
Space (Architecture) --- Power (Social sciences) --- Espace (Architecture) --- Pouvoir (Sciences sociales) --- Social aspects. --- Aspect social --- 711.4 --- Stedenbouw (theorie) --- Social aspects --- Space (Architecture) - Social aspects
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Viennese émigré architect Bernard Rudofsky (1905–1988) is most frequently recalled for curating “Architecture without Architects,” the famous 1964 photography exhibition of vernacular, preindustrial structures at the Museum of Modern Art in New York. Far from simply a romantic or nostalgic invocation of cultures lost to industrial modernity, Rudofsky's exhibition drew on decades of speculations about modern architecture and urbanism, particularly their semantic, technological, institutional, commercial, and geopolitical influences.Focusing on Rudofsky's encounters with Japan in the 1950s―he described postwar Japan as a “rear-view mirror” of the American way of life―architectural historian Felicity D. Scott revisits the architect's readings of the vernacular both in the United States and Japan, which resonate with his attempts to imagine architecture and cities that refused to communicate in a normative sense. In a contemporary world saturated with visual information, Rudofsky's unconventional musings take on a heightened resonance.
Architects --- Architecture --- History --- Rudofsky, Bernard, --- Criticism and interpretation. --- Architectes --- Histoire --- 7.01 --- 711.4 --- 72.01 --- Rudofsky, Bernard --- Kunsttheorie --- Stedenbouw (theorie) --- Architectuur (theorie) --- Architectuurtheorie
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L'imagination narrative, telle qu'envisagée en littérature, joue un rôle tout aussi important dans la conception urbaine et paysagère. Concevoir l'environnement urbain, n'est-ce pas aussi raconter et imaginer un réseau qui réunira en une trame consistante des personnes, des espaces, des objets, des activités, des images éparses ? Depuis les années 1990, le « tournant narratif » nous aide à mieux comprendre les processus créatifs qui accompagnent la conception de projets urbains et de paysage. Par le récit, urbanistes et paysagistes anticipent des situations futures, les organisent en des ensembles cohérents composés d'une multiplicité d'images et de leurs interactions - comme le ferait un écrivain. Le présent ouvrage, faisant référence à des figures mythologiques comme à des penseurs modernes, jongle entre textes, projets et images, analyses et analogies et approfondit par là ce parallèle littéraire. Différentes disciplines sont conviées ; l'anthropologie, la chronophotographie, l'art de la promenade, la philosophie, la sémiologie, la mythologie et l'histoire de l'art. Des ruines du Saillant d'Ypres à Disneyland Paris, de la périphérie romaine à la Défense, cet ouvrage développe des études de cas variées et crée ainsi un terrain fertile pour repenser l'urbanisme et ses enjeux.
Imagination (philosophie) --- Projets d'urbanisme --- Imagination (Philosophy). --- Urbanism --- Projects. --- Imagination (Philosophy) --- Urban landscape architecture --- Imagination (Philosophie) --- Paysage urbain --- 711 --- 711.4 --- Ruimtelijke ordening (theorie) --- Stedenbouw (theorie)
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Le paysage n'est pas visible seulement, il est audible aussi, sillonné de sonorités multiples, dans lesquelles l'oreille peut saisir des lignes, des formes, des dynamiques. La sonorité d'un paysage déploie en lui des spatialités auxquelles le regard n'a pas accès facilement. Dire qu'il y a une musicalité à l'œuvre dans les paysages, ou qu'il y a quelque chose comme une "paysageté" au cœur même de la musique, c'est chercher à se placer à leur foyer commun : soit que la composition musicale prolonge en les transformant les sonorités provenant d'un paysage naturel ou humain, soit que la composition musicale elle-même cherche à déployer en son espace propre un paysage sui generis. Il n'y a pas de paradoxe à envisager le monde - le paysage - comme "une vaste composition musicale" dont nous serions, en partie seulement, les auteurs. Il y aurait même une sorte de prédisposition de l'espace à la musique. Sans qu'il y ait nécessairement d'intentionnalité, l'espace du paysage semble parfois se chanter lui-même.(4e de couverture)
711.4 --- Landschap --- Stedenbouw (theorie) --- Landscapes --- Landscape design. --- Art and music. --- Paysages --- Aménagement paysager. --- Art et musique. --- Aesthetics. --- Esthétique. --- Musique --- Paysage --- Environnement sonore --- Centre commercial --- Concepteur sonore --- Ambiance
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How do we make better cities – places that work for people of all ages and backgrounds? How do we make cities that provide the obvious essentials – great transport, good places to work – as well as the softer elements that truly deliver quality of life, from urban swimming pools to rooftop clubs? Discover how you too can have a High Line, create the most covetable housing or turn a dirty river into a summer asset. Packed with great images and intriguing reports, this is a book that takes the urbanism debate away from city hall and explains what’s needed in ways that will inspire us all.
71(035) --- 71.039 --- Stedenbouw ; theorie ; 21ste eeuw --- Stedenbouw ; socio-economische aspecten --- Stedenbouw. Ruimtelijke ordening ; handboeken --- Geschiedenis van de stedenbouw ; 2000 - 2050 --- Stedenbouw ; inspirerende voorbeelden ; 21ste eeuw --- 711.4 --- Stedenbouw (theorie) --- City planning --- City and town life. --- Social aspects. --- Quality of life. --- Human comfort. --- Urbanisme --- Vie urbaine --- Qualité de la vie --- Bien-être --- Aspect social
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Lucius Burckhardt (1925–2003) outlined his theory of the smallest possible intervention back in the early 1980s. The idea of minimal intervention runs through his entire oeuvre, from his critique of urbanism to the science of walking. The “smallest possible intervention” denotes a planning theory that assumes two “views” within landscape design: that which is actually visible and that in our mind’s eye. The theory of the minimal intervention means not interfering excessively with the existing landscape, but instead working with the landscape in our minds to develop an aesthetic understanding of the environment. In this book, available for the first time in English, the Swiss sociologist applies this formula to many areas of design.
Architecture --- Philosophy --- Philosophie --- Burckhardt, Lucius --- 711.4 --- Stedenbouw (theorie) --- Stedenbouw ; theorie ; 20ste eeuw --- Stedelijke ruimte ; gezien door kunstenaars en fotografen --- Landschapsarchitectuur ; wandelingen als onderzoeksprojecten --- Architectuurtheorie ; 20ste eeuw --- Burckhardt, Lucius 1925-2003 (°Davos, Zwitserland) --- 711.4(A) --- Stedenbouw. Ruimtelijke ordening ; denken over de stedenbouw --- Landschapsarchitectuur --- Ontwerptheorie --- Architecture du paysage. --- Urbanistes. --- Nature --- Effets de l'homme. --- Théorie du paysage --- Environnement naturel
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What does gentrification look like? Can we even agree that it is a process that replaces one community with another? It is a question of class? Or of economic opportunity? Who does it affect the most? Is there any way to combat it? Leslie Kern, author of the best selling Feminist City, travels from Toronto, New York, London, Paris and San Francisco and scrutinises the myth and lies that surround this most urgent urban crisis of our times. First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, this devastating process of displacement now can be found in every city and most neighbourhoods. Beyond the Yoga studio, farmer's market and tattoo parlour, gentrification is more than a metaphor, but impacts the most vulnerable communities. Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class, race, gender and sexuality. She argues that gentrification is not natural That it can not be understood in economics terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is an continuation of the setter colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing and broken communities. But if gentrification is not inevitable, what can we do to stop the tide? In response, Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.
Gentrification --- Urban policy --- Social aspects. --- Environmental aspects --- 711.4 --- Stedenbouw (theorie) --- Stedenbouw en samenleving --- Stadsontwikkeling ; mobiliteit ; economie ; sociologie --- Stedenbouw ; theorie ; 21ste eeuw ; sociologie ; problematiek --- 711.164 --- 711.13 --- Stedenbouw. Ruimtelijke ordening ; stadssanering --- Stedenbouw. Ruimtelijke ordening ; sociale geografie ; socio-economische aspecten ; stadsgeografie --- Embourgeoisement (Urbanisme) --- Politique urbaine --- Aspect social --- Aspect de l'environnement --- Sociology of environment
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Architecture, Modern --- Bouwkunst. --- Architecture, Modern. --- Modern architecture --- 1900-1999 --- Architecture --- Periodicals. --- Périodiques --- 72.01 --- 711.4 --- 711 --- #TS:TCON --- 72 --- Architectuur (theorie) --- Architectuurtheorie --- Stedenbouw (theorie) --- Ruimtelijke ordening (theorie) --- Periodicals --- architectuur --- Engineering
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